Perfect Nowhere @ Vienna (2010)
Interactive Concert Installation
Part I - V
70 min.
First performance: July 2010, Vienna (Austria)
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Wetland Scatters (2010)
Computer-realized 5.1 Channel Surround Tape and Video Projection
Using sound and video material recorded at several wildlife habitats in Southeast Georgia (USA).
12 min.
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Ora Scatters (2009)
Computer-realized 5.1 Channel Surround Tape and Video Projection
Using sound and video material recorded at Riva del Garda (Italy).
12:30 min.
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Cracks in the Parthenon (2008)
Composition for Vocal Ensemble and Interactive Computer Control
Commission by the International Paul-Hofhaymer-Society
35 min.
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Look With Thine Ears (2007)
Speech Composition for Computer-Realized 5.1 Channel Surround Tape
Dedicated to Ezra Sims on the Occasion of his 80th Birthday
10 min.
First performance: July 3rd, 2008, Technical University Berlin, Germany
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Perfect Nowhere @ Munich (2007)
Interactive Concert Installation
Part I - V
70 min.
First performance: June 7th, 2007, t-u-b-e Gallery for Radiophonic Art, Munich (Germany)
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En un lugar (2006)
Speech Composition using the first Sentence of "Don Quixote" by Miguel de Cervantes
Computer-realized 5.1 channel surround tape
12 min.
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Perfect Nowhere @ Salzburg (2006)
Interactive Concert Installation
Parts I - V
25 min.
First performance: 25. March 2006, Salzburg, Romanischer Saal, Abtei St. Peter
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Twigs & Grains (2005)
Composition for computer-realized 5.1 channel surround tape and video projection
Part I: 6:23 min., Part II: 6:03 min.
First performance: 25. March 2006, Salzburg, Romanischer Saal, Abtei St. Peter
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BYG-MUC-BYG-INC (2005)
Four compositions for computer-realized 5.1 channel surround tape and processed still pictures
22 min.
First performance: 25. March 2006, Salzburg, Romanischer Saal, Abtei St. Peter
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Shadow of a Dog (Schatten eines Hundes) (2005)
for Stringtrio and interactive computer control
ca. 15 min.
First performance: 18. January 2006, Concert Series at the Museum of Modern Art Rupertinum, Salzburg
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Vitrium --- unio / duo / tres / quattuor (2005)
Four algorithmic harmony studies about glass spectra
for 2 channel tape
53 min.
CD-Project
for an Austrian glass company
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Shadow of a Hare (Schatten eines Hasen) (2005)
for guitar, interactive computer control and video
ca. 12 min.
First performance: 8. June 2005, Salzburg, Concert Series "Guitar & Friends"
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Xenon Loops (2004)
for 4 channel tape and video projection
Computer graphics: André Ruschkowski
10:10 min.
First performance: 8. June 2005, Salzburg, Concert Series "Guitar & Friends"
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FarbKlangRaum I - V (2003)
Multimedia Performance
with interactive electronic sound, video and dance
60 min.
First performance: 27. February 2003, Salzburg Experimental Academy of Dance (SEAD)
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Ondit (2002)
for 4 channel tape and video projection
Computer graphics: André Ruschkowski
21 min.
First performance: 12. July 2004, Berlin, Nacht der Kunst und Wissenschaften
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Cento (2001)
for 4 channel tape and video projection
Computer graphics: André Ruschkowski
8:03 min.
First performance: 12. July 2001, Concert series Elektronische Musik hören, TU Berlin
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Boreas (2000)
for 4 channel tape and video projection,
with 17 colour studies by Monika Hoenicke
8:58 min.
First performance: 7. December 2000 , Art Gallery MAERZ, Linz (Austria)
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Dione (2000)
for 4 channel tape and video projection
Computer graphics: André Ruschkowski
7:41 min.
First performance: 7. December 2000 , Art Gallery MAERZ, Linz (Austria)
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Arion (1999)
for 4 channel tape and video projection
Visuals: André Ruschkowski
8:42 min.
First performance: 3. December 1999, Musikhochschule "Franz Liszt" Weimar (D), Konzerte im Fürstenhaus
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Otherland (1999)
Multimedia Performance
with Tapes, Percussion, Dance, Light, Video and Live-Electronic
First performance: 15. May 1999, Salzburg, Orchesterhaus, Yamahasaal (Festival Aspekte 99)
Arabella Lorenz: percussion, dance
Donna Jewell: dance, percussion
Ruth Derschmidt: choreography
Arteom Denissov: sound mix, live-electronic
Andreas Greiml: light mix
André Ruschkowski: live-electronic, sound and light mix
Cameras and video editing: Chris Amrhein, Michael Edwards
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See here the complete first performance of "Otherland" (68 min.) as RealVideo stream (installed RealPlayer necessary) from a server of the University Mozarteum at Salzburg:  |
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Vom
Blau umschauert (1999)
Electronic composition at basis
of the text painting "Einst dem Grau der Nacht enttaucht ... "
of Paul Klee
12:05 min.
Realisation of the tape at Studio für elektronische Musik of the
Universität Mozarteum Salzburg
First performance: 8. October 1999, Workshop-concert "Künstliche und künstlerische
Algorithmen", Ludwig-Maximilians-University Munich
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Probe
(1999)
Electronic composition using
36 quotations of 20th century music history
7 min.
Realisation of the tape at Studio für elektronische Musik of the
Universität Mozarteum Salzburg
First performance: 5. June 1999, 29. Festival for electroacustic Music "Synthese
1999", Theatre Jacques Coeur in Bourges (France)
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Download
of the composition (stereo-exerpt) as MPEG-Layer III File (MP3) (790
kB) here:
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Doxa (1998/99)
for a female dancer, video, percussion, live-electronic and 4 channel-tape
ca. 21:00 min.
First performance: Mai 15, 1999 at Orchesterhaus Salzburg (Austria)
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Download of the composition (stereo exerpt) as MPEG-Layer III File (MP3) (1,8 MB) here: |
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Music for the ballet program of
the Susan Quinn Dance Company
Cento
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Download
of the composition (stereo-exerpt) as MPEG-Layer III File (MP3) (1,2
MB) here:
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Arion
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Download
of the composition (stereo-exerpt) as MPEG-Layer III File (MP3) (1,2
MB) hier:
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Dione
Boreas
for 4 channel tape
UA: 22. and 23. January 1999 at Stadtkino Salzburg (Austria)
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Salzburgtrum
98 (1998)
for 8 channel-tape
60:48 min.
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: July 26 and 27, 1998 Open Air at Hanuschplatz, inside
the old center of Salzburg (project "moving house")
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Les pas
intérieurs (1997)
Version for 2 channel-tape
11: 10 min.,
Realisation of the tape at Studio "La Muse en Circuit" Paris,
First performance: Sept 30, 1997, Festival international des musiques d‘aujourd‘hui
MUSICA at Strasbourg (France) Version
for a female dancer, percussion and 4 channel-tape
ca. 13 min.
First performance: Dez 2, 1997, Galery of the city Wels (Austria), Ruth
Derschmidt (dance and percussion), Arabella Lorenz (percussion and dance)
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Nasoma
(1996)
Electronic composition from
concrete sound material, for 8/4/2 channel-tape,
10:14 min.,
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: Nov 11, 1997, Festival Musica Scienza ‘97 Roma
(Italy)
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Vier kurze
Studien (1995)
Electronic compositions made
of voice material
The
Inventor (5:15 min.),
Zu kurz
(5:02 min.),
Kunst
(5:02 min.),
Trevoce
(5:11 min.)
all for 8 channel-tape,
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: March 23, 1996, School of Music, Yale University, New
Haven CT, USA
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Salzburgtrum (1995)
for violin, flute, percussion, 8 channel-tape and light moods
ca. 65 min.,
Realisation of the tape at Studio für elektronische Musik of the Mozarteum Salzburg
First performance: May 22, 1995, Großes Studio of the Mozarteum (19. Internationales Festival für neue Musik ASPEKTE Salzburg) with soloists of the Austrian Ensemble for New Music: Petra Hirzel: violin, Irmgard Daxner: flute, Henning Kirsch: percussion,
Sound diffusion: Birmingham ElectroAcoustic Sound Theatre (BEAST)
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Succubus-Quartett
(1994)
Electronic composition from
concrete sound material, 8 channel-tape
20:30 min.,
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: April 1, 1995, 17. International Study Week for Contemporary
Music at Lüneburg (Germany)
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AR
(1994)
Electronic composition, version
for 4 moving sound sources ("Klangmobile")
6:23 min.,
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: July 3, 1994, Toscana-Trakt of the Salzburg University;
(concert week "Open Air Music electronic - live")
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Tonart Vier
(1994)
CD-Project together with Jörg
Thomasius and Lars Stroschen, 12 electronic tape compositions, 2 channels,
with different levels of composers collaboration (solo/duo/trio) — deals
with a special scheme for the exchange of musical material.
Total duration: 64:56 min.
First performance: May 10, 1994, Alte Schmiede, Vienna (Festival for electronic
music "Electronic spring")
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Nasca
(1993)
Graphical composition for sinus-,
squarewave- und sawtooth waves, 2 channel-tape
10:10 min.,
Realisation of the tape at Studio Les Ateliers UPIC Paris and Studio für
elektronische Musik of the Mozarteum Salzburg
First performance: June 4, 1994, Großes Studio of the Mozarteum
Salzburg (Festival Aspekte)
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Quartett
(1993)
Electronic composition for
4 moving sound sources ("Klangmobile")
6:40 min.,
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: July 7, 1993, Toscana-Trakt of the Salzburg University
(Concert Week "Open Air Music electronic - live") |
Sub Rosa
(Rimbaud ist der Dichter II) (1991/92)
Electronic speech composition
using the text "Vokale" by Arthur Rimbaud
(2nd - 5th part "E"-"O"), 2 channel-tape
15:00 min.,
Realisation of the tape at Elektronisches Studio of the Technische Universität
Berlin and Mozarteum Salzburg
First performance: Dez 5, 1992, Akademie der Künste Berlin (5. Werkstatt
elektroakustischer Musik)
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Autologous
(1991)
Electronic composition made
of noise sounds
2 channel-tape,
11:25 min.
Realisation of the tape at Elektronisches Studio of the Technische Universität
Berlin
First performance: Feb 12, 1992, Akademie der Künste Berlin (Fest
Neuer Musik INVENTIONEN’92)
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Rimbaud
ist der Dichter I (1989/90)
Electronic speech composition
using the text "Vokale" by Arthur Rimbaud
(1st part "A"), 2 channel-tape
10:45 min.,
Realisation of the tape at Studio für elektroakustische Musik of
the Akademie der Künste zu Berlin
First performance: Sept 12, 1990, Varese (Italy) - Prize winning pieces
concert of the 12th International competition for electroacustic music
"Luigi Russolo"
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Download
of the composition (stereo exerpt) as MPEG-File (ca. 3,3 MB) from
the server of the Elektronisches Studio der TU Berlin here:
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Zeichen
(1989)
Electronic speech composition
using a text by Ernst Jandl, 2 channel-tape
13:00 min.,
Realisation of the tape at Studio für elektronische Klangerzeugung
of the Musikhochschule
"Carl Maria von Weber" Dresden (Germany)
First performance: Feb 25, 1990, theater im palast Berlin
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Svelt
(1988)
Electronic composition , 2
channel-tape
12:30 min.,
Realisation of the tape at Studio Zeiss Großplanetarium Berlin
First performance: 21. Mai 1989, theater im palast Berlin, (2. Werkstatt-Tage
elektroakustischer Musik)
Svelt, version with video
graphics by Hardy Krause
First performance: May 29, 1991, Theater der Jungen Generation (Dresdner
Musikfestspiele 1991)
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Der Himmel
über den Dächern Berlins (1988)
Electronic composition , 8
channel-tape
Musik for a program at Zeiss Großplanetarium Berlin
21:50 min.,
Realisation of the tape at Studio Zeiss Großplanetarium Berlin
First performance: March 22, 1989, Zeiss Großplanetarium Berlin
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Extravaganza*
(1985)
Electronic composition , 2
channel-tape
ballet music
6:37 min.,
Realisation of the tape at private studio of the composer
First performance: Nov 18, 1990, Deutschlandsender/Kultur
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Morpheus*
(1984)
Electronic composition , 2
channel-tape
9:55 min.,
Realisation of the tape at private studio of the composer
First performance: Oct 12, 1985, Budapest, Hungarian Broadcasting Station
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Kampftanz*
(1982/83)
Electronic composition , 2
channel-tape
ballet music
5:38 min.,
Realisation of the tape at private studio of the composer
First performance: Dez 5, 1983, Volksbühne Berlin, ("Stunde des Tanzes"
22)
(*= together with
Winfried Prkno) |
Shadow of a dog (Schatten eines Hundes) (2005)
for Stringtrio and Computer
ca. 15 min.
First performance: November 2005, Salzburg, IGNM-Musikfestival
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Shadow of a hare (Schatten eines Hasen) (2005)
for Guitar and Computer
ca. 12 min.
First performance: 8. Juni 2005, Salzburg, Concert Series "Guitar & Friends"
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Doxa (1999)
for a female dancer, video,
percussion, live-electronic and 4 channel-tape
ca. 21:00 min.
First performance: Mai 15, 1999 at Orchesterhaus Salzburg (Austria)
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Download
of the composition (stereo exerpt) as MPEG-Layer III File (MP3) (1,8
MB) here:
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Andana
(1998)
for ensemble
(flute I/II, oboe, clarinet, bass-clarinet, marimbaphon, grancassa, piano,
violin I/II, viola, cello, kontrabass)
ca. 7 min.
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Les
pas intérieurs (1997)
Version for a female dancer,
percussion and 4 channel-tape
ca. 13 min.
First performance: Dez 2, 1997, Gallery of the city Wels (Austria), Ruth
Derschmidt (dance and percussion), Arabella Lorenz (percussion and dance)
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In blauem
Kristall (1997)
Composition for flute, clarinet,
violin, cello and piano
ca. 8 min.
First performance: Mai 29, 1997, Aspekte-Festival Salzburg, Irmgard Daxner
(flute), Fritz Kronthaler (clarinet), Keunah Park (violin), Peter Siegl
(cello), Daniel Linton-France (piano), conductor: Oswald Sallaberger
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Weißer
Schlaf (1997)
Composition for Soprano and
4 channel-tape
ca. 11 min.
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: Mai 29, 1997, Aspekte-Festival Salzburg, Sigune von
Osten (Soprano)
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Dunkle
Stunde (1997)
Composition for flute, clarinet,
violin, cello, piano and 4 channel-tape
ca. 10 min.
First performance: Mai 29, 1997, Aspekte-Festival Salzburg, Irmgard Daxner
(flute), Fritz Kronthaler (clarinet), Keunah Park (violin), Peter Siegl
(cello), Daniel Linton-France (piano), conductor: Oswald Sallaberger
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Unter steinernen
Bogen (1997)
Composition for soprano, flute,
clarinet, violin, cello, piano and 4 channel-tape
ca. 10 min.
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: Mai 29, 1997, Aspekte-Festival Salzburg, Sigune von
Osten (Soprano), Irmgard Daxner (flute), Fritz Kronthaler (clarinet),
Keunah Park (violin), Peter Siegl (cello), Daniel Linton-France (piano),
conductor: Oswald Sallaberger
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Arara
(1997)
Komposition für Perkussion
und 2-Kanal-Tonband
ca. 7 Min
Realisation des Tonbandes im Studio für elektronische Musik der Universität
Mozarteum Salzburg
UA: 28. Mai 1997, Aspekte-Festival Salzburg, Arabella Lorenz (Perkussion)
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Araku
(1997)
Composition for percussion
and 2 channel-tape
ca. 6 min.
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: Mai 28, 1997, Aspekte-Festival Salzburg, Arabella Lorenz
(percussion)
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Karabontara
(1996)
Composition für piano
and 4 channel-tape
ca. 12 min.,
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: June 8, 1996, Paumgartner-Studio of the Mozarteum Salzburg,
piano: Daniel Linton-France
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Sonama
(1996)
Composition for flute, violin
and percussion
ca. 11 min.,
First performance: Mai 11, 1996, Großes Studio of the Mozarteum
(20th International Festival for New Music ASPEKTE Salzburg) Soloists
of the Austrian Ensembles of New Music (ÖENM)
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Salzburgtrum
(1995)
for violin, flute, percussion,
8 channel-tape and light moods
ca. 65 min.,
Realisation of the tape at Studio für elektronische Musik of the
Mozarteum Salzburg
First performance: May 22, 1995, Großes Studio of the Mozarteum
(19. Internationales Festival für neue Musik ASPEKTE Salzburg) with
soloists of the Austrian Ensemble for New Music: Petra Hirzel: violin,
Irmgard Daxner: flute, Henning Kirsch: percussion,
sound diffusion: Birmingham ElectroAcoustic Sound Theatre (BEAST)
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